Ryuichi Hiroki’s repute for prolificacy was already properly established, however this time he outdid himself. The director has three high-profile movies hitting Japanese theaters in a three-week span, even surpassing the spectacular one-month streak managed by Takahiro Miki (“Tang,” “Even when This Love Disappears From the World Tonight,” “Akira and Akira”) in the course of the summer time.
It is a different lot, too, proving that Hiroki is not at risk of turning into predictable, even when “Motherhood” suggests she may be carrying skinny.
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