By his personal account, Haruki Murakami is no one particular.
In his just lately translated guide of essays, “Novelist as a Vocation,” the beloved creator maintains, time and again, that he’s a somewhat mediocre individual – “the sort who’s at all times proven to the worst restaurant tables” – who is sweet for to remain to a boring routine and to exhausting work. These abilities, he writes, and a collection of auspicious introductions in Nineties New York led to his meteoric rise to international literary fame.
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